http://www.hanahho.com H A N A H H O Mon, 02 Jan 2012 16:03:55 +0000 http://www.hanahho.com en http://hanahho.com/SPONTANEOUS-MEMORIAL http://hanahho.com/following/hanahho.com/SPONTANEOUS-MEMORIAL Mon, 02 Jan 2012 16:03:55 +0000 H A N A H H O 2531186 After an initial visit to the Allegheny Cemetery in Pittsburgh, PA, my team and I found several questions and curiosities which we then pursued to answer through design methods. What we were most struck by was the various forms of representation of someone after their death. <img src="http://payload11.cargocollective.com/1/2/85283/2531186/1.JPG" border="0" width="600" height="707" width_o="600" height_o="707" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/1_o.JPG" align="left" caption="‘Representation’ became an organizing theme for our discussions. We tried coming up with a question based on this idea of ‘representation of someone in their absence’. Our driving question for this project was &lt;i&gt;'How do the living choose to represent the deceased and why?'&lt;/i&gt;"/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/2.JPG" border="0" width="600" height="726" width_o="600" height_o="726" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/2_o.JPG" align="left" caption="We had a brainstorming session where we tossed around ideas for how to answer this question we posed. We were looking for ways to engage people as deeply as possible while making them feel like they wanted to participate in our method."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/3_20.png" border="0" width="600" height="337" width_o="600" height_o="337" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/3_20_o.png" align="left" caption="Our first research device was a game where people were given the names of 7 random deceased public figures and a variety of prompts for landmarks (bar, pond, grocery store, etc.) Their task was to design a cemetery for the public using these elements and explain the rationale for their choices. The purpose of this method was to test the associations people have with public figures and and how they define them after their death."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/4_9.jpg" border="0" width="600" height="448" width_o="600" height_o="448" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/4_9_o.jpg" align="left" caption="We decided to fabricate our own spontaneous memorial to really understand how people interacted with memorials. Actually doing it ourselves would give us first-hand information on the way spontaneous memorials worked. We chose Steve Jobs because his death was widely followed and he is an iconic, ubiquitous figure. He was also chosen because we knew that spontaneous memorials occured for him outside Apple stores recently across the country. We wanted to see what would happen if we provoked people into doing it again. The first one we put out was in Bloomfield. We wanted to get out of college territory and test this method out on people who may not have had much of a connection with Jobs. The memorial was removed by someone within four hours."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/5_10.jpg" border="0" width="600" height="803" width_o="600" height_o="803" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/5_10_o.jpg" align="left" caption="We put another one on Beeler street because we could set up a video camera and tape people’s reactions from there. We took five hours of footage at different times of the day and night. The memorial was largely ignored except for a few notes that were left in the drawer."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/6.png" border="0" width="562" height="422" width_o="562" height_o="422" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/6_o.png" align="left" caption="Having created our own memorial, we wanted to study the ‘real’ memorials that elicited widespread reactions. We contacted Apple stores all over the country. Most were quite unhelpful, citing company policy as the reason for not discussing the topic. A manager in the San Fransisco branch was more helpful in describing the event but still quite reserved. We interviewed people who worked in the stores around the Apple store. There was a general sense of confusion and indifference to the spontaneous memorial outside the Pittsburgh store."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/7_16.JPG" border="0" width="600" height="828" width_o="600" height_o="828" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/7_16_o.JPG" align="left" caption="Our Bloomfield memorial was gone within hours. We found it surprising that someone was comfortable with just clearing out a memorial site. We left it in a place where many people walk by so it may have been a decision made by multiple people. The memorial was minimal and by no means a public nuisance. We thought that people would at least feel awkward about moving it but it turns out they didn’t."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/8.JPG" border="0" width="600" height="652" width_o="600" height_o="652" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/8_o.JPG" align="left" caption="However, our Beeler Street memorial was a little more successful in provoking a reaction. We designed the memorial to look fairly empty and neutral, hoping that people would contribute in the way they saw fit. Our hope was that the memorial would snowball in a way that would reflect the sentiments of the community."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/9.JPG" border="0" width="600" height="702" width_o="600" height_o="702" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/9_o.JPG" align="left" caption="We received an alarming range of responses ranging from high praise to low insults. This may be a result of the neutral point of view that our memorial projected."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/10.JPG" border="0" width="600" height="853" width_o="600" height_o="853" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/10_o.JPG" align="left" caption="Looking at the comparison between our memorial and the ‘real’ memorials we realized that the major differences were sincerity and context. Sincerity in a memorial is critical to people buying in to it. The context almost comes out of this sincerity because if the context is inappropriate, the memorial will seem insincere."/> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/12.JPG" border="0" width="600" height="396" width_o="600" height_o="396" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/12_o.JPG" align="left" caption="Context determines sincerity, sincerity determines theatricality and theatricality determines interaction. To make a highly enaging and meaninful memorial, we determined this to be the flow of processes. The four elements are co-dependant on each other and without&lt;br /&gt; any one of the four, memorials are ineffective."/> Now that we had these findings, we wanted to share our findings with other designers. In order to do so, our team created a 'Create Your Own Spontaneous Memorial Joke Kit.' This practical joke kit comes with all of the items that are essential in a convincing spontaneous memorial. It is intended to inform designers about what is essential when creating these sacred tributes, and why. <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1938.JPG" border="0" width="620" height="414" width_o="620" height_o="414" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1938_o.JPG" align="left" /> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1939.jpg" border="0" width="600" height="389" width_o="600" height_o="389" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1939_o.jpg" align="left" /> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1954.jpg" border="0" width="600" height="401" width_o="600" height_o="401" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1954_o.jpg" align="left" /> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1941.jpg" border="0" width="600" height="401" width_o="600" height_o="401" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1941_o.jpg" align="left" /> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1943.jpg" border="0" width="600" height="430" width_o="600" height_o="430" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1943_o.jpg" align="left" /> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1948.jpg" border="0" width="600" height="481" width_o="600" height_o="481" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1948_o.jpg" align="left" /> <img src="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1949.JPG" border="0" width="600" height="401" width_o="600" height_o="401" src_o="http://payload11.cargocollective.com/1/2/85283/2531186/IMG_1949_o.JPG" align="left" /> http://hanahho.com/NAVIGATING-THE-NEWS-OF-THE-FUTURE http://hanahho.com/following/hanahho.com/NAVIGATING-THE-NEWS-OF-THE-FUTURE Mon, 17 Oct 2011 22:05:44 +0000 H A N A H H O 2163297 My editorial design experience made me very curious about how news and journalism delivery will change in the future. This curiosity sparked my senior independent study rethinking how the news and editorial content of the New York Times can be delivered on a digital tablet. How can digital news effectively utilize all of the affordances of a digital format to create a richer, well-rounded experience for their audience in a way that does not yet exist? The first half of the project was dedicated to both primary and secondary research focused around digital news reading habits and user interaction with digital news. The second phase focused on synthesizing the research through writing, then designing the interactions between the application and the user. The final deliverables shown here are a futurcast video illustrating my ideas, and select spreads from the process book which accompanies the project. <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.00.16 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.00.16 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.00.48 PM.png" border="0" width="650" height="356" width_o="650" height_o="356" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.00.48 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.01.33 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.01.33 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.02.13 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.02.13 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.03.50 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.03.50 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.04.21 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.04.21 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.04.53 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.04.53 PM_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.05.26 PM.png" border="0" width="650" height="427" width_o="650" height_o="427" src_o="http://payload.cargocollective.com/1/2/85283/2163297/Screen Shot 2012-01-02 at 3.05.26 PM_o.png" align="left" /> http://hanahho.com/VANITY-FAIR http://hanahho.com/following/hanahho.com/VANITY-FAIR Sun, 16 Oct 2011 18:01:20 +0000 H A N A H H O 1707984 I have worked in the art department at Vanity Fair Magazine at Conde Nast Publications for two consecutive summers. During that time, I collaborated with the art and photography department to create magazine spreads. I also edited and selected photographs for each issue while simultaneously learning the inner workings of one of the world’s most significant publications. I worked on both the print magazine and the iPad version, learning the work flow of the Adobe Digital Publishing platform. This year, I was appointed the principal designer for the 2011 International Best Dressed List project featured in the 2011 September Issue. <img src="http://payload.cargocollective.com/1/2/85283/1707984/Trophy.jpg" border="0" width="600" height="633" width_o="600" height_o="633" src_o="http://payload.cargocollective.com/1/2/85283/1707984/Trophy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/CoverOpener_685.jpg" border="0" width="672" height="441" width_o="672" height_o="441" src_o="http://payload.cargocollective.com/1/2/85283/1707984/CoverOpener_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/Detail.jpg" border="0" width="670" height="450" width_o="670" height_o="450" src_o="http://payload.cargocollective.com/1/2/85283/1707984/Detail_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/MenWomen_685.jpg" border="0" width="675" height="441" width_o="675" height_o="441" src_o="http://payload.cargocollective.com/1/2/85283/1707984/MenWomen_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/ProfHof_685.jpg" border="0" width="685" height="450" width_o="685" height_o="450" src_o="http://payload.cargocollective.com/1/2/85283/1707984/ProfHof_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/Picture 5.png" border="0" width="609" height="640" width_o="609" height_o="640" src_o="http://payload.cargocollective.com/1/2/85283/1707984/Picture 5_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/coffins_685.png" border="0" width="685" height="466" width_o="1079" height_o="735" src_o="http://payload.cargocollective.com/1/2/85283/1707984/coffins_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/6_685.jpg" border="0" width="684" height="465" width_o="684" height_o="465" src_o="http://payload.cargocollective.com/1/2/85283/1707984/6_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/7_685.jpg" border="0" width="685" height="461" width_o="687" height_o="463" src_o="http://payload.cargocollective.com/1/2/85283/1707984/7_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/8_685.jpg" border="0" width="682" height="459" width_o="682" height_o="459" src_o="http://payload.cargocollective.com/1/2/85283/1707984/8_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/2_685.jpg" border="0" width="685" height="455" width_o="686" height_o="456" src_o="http://payload.cargocollective.com/1/2/85283/1707984/2_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/1_685.jpg" border="0" width="682" height="459" width_o="682" height_o="459" src_o="http://payload.cargocollective.com/1/2/85283/1707984/1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707984/BookAd_13.jpg" border="0" width="600" height="745" width_o="600" height_o="745" src_o="http://payload.cargocollective.com/1/2/85283/1707984/BookAd_13_o.jpg" align="left" /> http://hanahho.com/PERSONAL-IDENTITY http://hanahho.com/following/hanahho.com/PERSONAL-IDENTITY Sun, 10 Jul 2011 19:32:47 +0000 H A N A H H O 1708065 I combined the initials of my name to produce a wordmark. I then developed this wordmark into a personal identity. The letterforms are based off of Gotham. Mrs. Eaves italic is used as a supporting typeface in the identity. The set that I created includes business cards, a poster demonstrating all facets of the identity, and an animation of the mark. <img src="http://payload.cargocollective.com/1/2/85283/1708065/HH.jpg" border="0" width="670" height="440" width_o="685" height_o="450" src_o="http://payload.cargocollective.com/1/2/85283/1708065/HH_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1708065/businessCard_o_685.jpg" border="0" width="685" height="499" width_o="685" height_o="499" src_o="http://payload.cargocollective.com/1/2/85283/1708065/businessCard_o_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1708065/TILE.png" border="0" width="670" height="670" width_o="675" height_o="675" src_o="http://payload.cargocollective.com/1/2/85283/1708065/TILE_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1708065/HHprocess.jpg" border="0" width="670" height="398" width_o="694" height_o="413" src_o="http://payload.cargocollective.com/1/2/85283/1708065/HHprocess_o.jpg" align="left" /> http://hanahho.com/THE-DEATH-OF-PRINT http://hanahho.com/following/hanahho.com/THE-DEATH-OF-PRINT Sun, 10 Jul 2011 19:04:09 +0000 H A N A H H O 1707985 It is no secret that print as a medium is on the decline, but will there be a day when it disappears altogether? This is the question I explored for this book project. Using articles, statements, and ideas formed around this topic, I used the medium of the book to exhibit both confirming and opposing ideas. My goal was to bring a new perspective to the debate by extracting the topic's most prominent arguments and re-presenting them in a challenging format. <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1740.JPG" border="0" width="670" height="406" width_o="675" height_o="410" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1740_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1741.JPG" border="0" width="670" height="410" width_o="675" height_o="414" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1741_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1746.JPG" border="0" width="670" height="476" width_o="675" height_o="480" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1746_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1747.JPG" border="0" width="670" height="490" width_o="675" height_o="494" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1747_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1748.JPG" border="0" width="670" height="473" width_o="675" height_o="477" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1748_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1749.JPG" border="0" width="670" height="473" width_o="675" height_o="477" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1749_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1751.JPG" border="0" width="670" height="451" width_o="675" height_o="455" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1751_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1753.JPG" border="0" width="670" height="451" width_o="675" height_o="455" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1753_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1754.JPG" border="0" width="670" height="432" width_o="675" height_o="436" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1754_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1755.JPG" border="0" width="670" height="449" width_o="675" height_o="453" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1755_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1756.JPG" border="0" width="670" height="450" width_o="675" height_o="454" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1756_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1757.JPG" border="0" width="670" height="446" width_o="675" height_o="450" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1757_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1762.JPG" border="0" width="670" height="442" width_o="675" height_o="446" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1762_o.JPG" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1763.JPG" border="0" width="628" height="433" width_o="628" height_o="433" src_o="http://payload.cargocollective.com/1/2/85283/1707985/IMG_1763_o.JPG" align="left" /> http://hanahho.com/A-LINE http://hanahho.com/following/hanahho.com/A-LINE Sun, 10 Jul 2011 19:02:53 +0000 H A N A H H O 1707702 I collaborated with my classmate, Victor Ng to create the branding for A-Line skirts. A-Line skirts is a local Pittsburgh fashion house under the Kelly Lane label. Her service allows women to personalize a-line skirts utilizing leftover fabrics from her previous lines. Keeping true to the Kelly Lane brand, the reversible skirts are made of environmentally friendly fibers. The mark, packaging, print material, look book, and photography were designed to reflect a creative, sophisticated, and modern woman. <img src="http://payload.cargocollective.com/1/2/85283/1707702/1.jpg" border="0" width="670" height="419" width_o="684" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/2.jpg" border="0" width="670" height="419" width_o="684" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/2_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/3.jpg" border="0" width="670" height="419" width_o="684" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/3_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/4.jpg" border="0" width="670" height="420" width_o="682" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/4_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/5.jpg" border="0" width="670" height="422" width_o="678" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/5_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/6.jpg" border="0" width="670" height="422" width_o="679" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/6_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/7.jpg" border="0" width="670" height="422" width_o="679" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/7_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/8.jpg" border="0" width="670" height="491" width_o="2048" height_o="1503" src_o="http://payload.cargocollective.com/1/2/85283/1707702/8_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/9.jpg" border="0" width="670" height="417" width_o="687" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/9_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707702/10.jpg" border="0" width="670" height="419" width_o="683" height_o="428" src_o="http://payload.cargocollective.com/1/2/85283/1707702/10_o.jpg" align="left" /> http://hanahho.com/MOMA http://hanahho.com/following/hanahho.com/MOMA Sun, 10 Jul 2011 19:02:51 +0000 H A N A H H O 1707979 This was a project that explored the creation and utilization of a non-traditional grid. For this project, the grid used was derived from a piece of famous deconstructivist architecture. Shown here is the process of the grid's creation, its manipulation through collage, and the final pieces. The results of this exploration were a series of four tickets and poster to a deconstructivist architecture exhibit at the Museum of Modern Art, titled 'Unfold.' <img src="http://payload.cargocollective.com/1/2/85283/1707979/1.jpg" border="0" width="670" height="278" width_o="675" height_o="281" src_o="http://payload.cargocollective.com/1/2/85283/1707979/1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/2_6.jpg" border="0" width="670" height="509" width_o="675" height_o="513" src_o="http://payload.cargocollective.com/1/2/85283/1707979/2_6_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/3.jpg" border="0" width="670" height="513" width_o="675" height_o="517" src_o="http://payload.cargocollective.com/1/2/85283/1707979/3_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/picture 4.jpg" border="0" width="670" height="510" width_o="675" height_o="514" src_o="http://payload.cargocollective.com/1/2/85283/1707979/picture 4_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/5 picture.jpg" border="0" width="670" height="463" width_o="675" height_o="467" src_o="http://payload.cargocollective.com/1/2/85283/1707979/5 picture_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/6 picture.jpg" border="0" width="670" height="426" width_o="675" height_o="430" src_o="http://payload.cargocollective.com/1/2/85283/1707979/6 picture_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/Picture 1.png" border="0" width="670" height="953" width_o="675" height_o="961" src_o="http://payload.cargocollective.com/1/2/85283/1707979/Picture 1_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/Picture 4.png" border="0" width="670" height="444" width_o="675" height_o="448" src_o="http://payload.cargocollective.com/1/2/85283/1707979/Picture 4_o.png" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707979/11 Picture.png" border="0" width="670" height="466" width_o="675" height_o="470" src_o="http://payload.cargocollective.com/1/2/85283/1707979/11 Picture_o.png" align="left" /> http://hanahho.com/HEIGHTS-MAGAZINE http://hanahho.com/following/hanahho.com/HEIGHTS-MAGAZINE Sun, 10 Jul 2011 19:02:51 +0000 H A N A H H O 1707978 The Heights is a news magazine concept for the Brooklyn Heights area of New York City. I developed it at the School of Visual Arts Continuing Education program under the guidance of E. Genevieve Williams. Doing this project helped me understand the process of developing magazines from beginning to end. This included everything from creating its physical and typographical structure to developing its identity and content. <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 9.jpg" border="0" width="600" height="727" width_o="600" height_o="727" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 9_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 1 copy_685.jpg" border="0" width="685" height="414" width_o="685" height_o="414" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 1 copy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 2 copy_685.jpg" border="0" width="685" height="414" width_o="685" height_o="414" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 2 copy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 3 copy_685.jpg" border="0" width="685" height="415" width_o="685" height_o="415" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 3 copy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 4 copy_685.jpg" border="0" width="685" height="413" width_o="700" height_o="423" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 4 copy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 5 copy_685.jpg" border="0" width="685" height="413" width_o="700" height_o="423" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 5 copy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 6 copy_685.jpg" border="0" width="685" height="413" width_o="700" height_o="423" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 6 copy_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 7_685.jpg" border="0" width="685" height="415" width_o="685" height_o="415" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 7_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707978/Picture 8 copy_685.jpg" border="0" width="685" height="413" width_o="700" height_o="423" src_o="http://payload.cargocollective.com/1/2/85283/1707978/Picture 8 copy_o.jpg" align="left" /> http://hanahho.com/POINT-BREEZE http://hanahho.com/following/hanahho.com/POINT-BREEZE Sun, 10 Jul 2011 19:02:50 +0000 H A N A H H O 1707981 I created a city proposal for Pittsburgh's Point Breeze neighborhood in the form of a book. Point Breeze is a place so charming that it was the inspiration for the children's TV show, Mr. Rogers Neighborhood. The book proposed that the Point Breeze neighborhood help improve its less prosperous surroundings by leveraging its status as the model community. I conducted a combination of primary and secondary research on Point Breeze to inform my recommendations. <img src="http://payload.cargocollective.com/1/2/85283/1707981/1.jpg" border="0" width="670" height="446" width_o="693" height_o="462" src_o="http://payload.cargocollective.com/1/2/85283/1707981/1_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/2.jpg" border="0" width="670" height="453" width_o="691" height_o="468" src_o="http://payload.cargocollective.com/1/2/85283/1707981/2_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/3.jpg" border="0" width="670" height="456" width_o="690" height_o="470" src_o="http://payload.cargocollective.com/1/2/85283/1707981/3_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/4.jpg" border="0" width="670" height="466" width_o="692" height_o="482" src_o="http://payload.cargocollective.com/1/2/85283/1707981/4_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/5.jpg" border="0" width="670" height="432" width_o="691" height_o="446" src_o="http://payload.cargocollective.com/1/2/85283/1707981/5_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/6.jpg" border="0" width="670" height="427" width_o="686" height_o="438" src_o="http://payload.cargocollective.com/1/2/85283/1707981/6_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/7.jpg" border="0" width="670" height="440" width_o="692" height_o="455" src_o="http://payload.cargocollective.com/1/2/85283/1707981/7_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/8.jpg" border="0" width="670" height="455" width_o="692" height_o="470" src_o="http://payload.cargocollective.com/1/2/85283/1707981/8_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/9.jpg" border="0" width="670" height="394" width_o="688" height_o="405" src_o="http://payload.cargocollective.com/1/2/85283/1707981/9_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707981/10.jpg" border="0" width="670" height="425" width_o="694" height_o="441" src_o="http://payload.cargocollective.com/1/2/85283/1707981/10_o.jpg" align="left" /> http://hanahho.com/BLACK-RHINO http://hanahho.com/following/hanahho.com/BLACK-RHINO Sun, 10 Jul 2011 19:02:48 +0000 H A N A H H O 1707982 I worked with the producer of the new documentary, The 6th Extinction, to create a motion piece centered around one of the most critically endangered species in the world, the black rhino. The purpose of my video was to raise awareness of the animal's demise caused by the illegal trade of their horns from specific regions of Africa for arms and weaponry in China. The weapons are then used by the African rebel armies that contribute to genocide, poverty, famine, and corruption in various parts of Africa. This video addresses not only the harm poaching has on the black rhino but also the damage it is causing on the human race. This piece won the 2011 AIGA Pittsburgh Design Excellence Award. <img src="http://payload.cargocollective.com/1/2/85283/1707982/2.jpg" border="0" width="670" height="469" width_o="685" height_o="480" src_o="http://payload.cargocollective.com/1/2/85283/1707982/2_o.jpg" align="left" /> <img src="http://payload.cargocollective.com/1/2/85283/1707982/Picture 2.png" border="0" width="601" height="395" width_o="601" height_o="395" src_o="http://payload.cargocollective.com/1/2/85283/1707982/Picture 2_o.png" align="left" />